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Olympia (published plate)
Paris was the undisputed artistic and cultural capital of Europe in the late 19th century; it was also home to a thriving population of prostitutes. As Hollis Clayson observed in her
study of prostitution and French art, Painted Love, artists of the period, particularly the Impressionists, enthusiastically embraced the activities of these women through
varying degrees of realistic imagery. The increasingly abstract depictions of prostitutes’ everyday pursuits, from bathing to entertaining clients, possessed a risky, modern, and
voyeuristic flair. Artists also capitalized on the ambiguity of their subjects’ profession, as many of these women moved fluidly between being a dancer, actress, courtesan, brothel
resident, street prostitute, or some combination thereof.
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