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Misery, plate nine from Woman
The intimate dramas playing out in this gallery draw their emotional power from the vulnerability of the exposed human form. Featured in these voyeuristic prints and drawings are private
scenes of tragedy, tenderness, and horror, as artists intruded upon such previously forbidden settings as the bedroom, the deathbed, and the crime scene. While Félix Vallotton’s
Intimacy woodcuts address the theme of undressing, with John Sloan’s playful Turning Out the Light and Gustav Klimt’s Seated Woman verging into the erotic,
other images depict serious illnesses and the deaths of family members, especially children, which were commonplace events throughout the 19th century.
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