무료 이미지 : 여자, 초상화, 삽화, 그림, 현대 미술, 시각 예술, 수채화 물감, 페인트 2019x3000

미술, 여자, 초상화, 삽화, 그림, 현대 미술, 삽화, 시각 예술, 그림, 수채화 물감, 페인트 Public Domain

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저희 제작자들은 여러분의 의견을 듣고 사진을 어떻게 사용했는지보고 싶어합니다. 기부, 트윗, 페이스 북 및 팔로우를 통해 감사를 표하십시오!

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The actor Bando Mitsugoro II as Ishii Genzo
Almost nothing is known of the life of Tōshūsai Sharaku, whose entire oeuvre of bold portraits of Kabuki actors was produced during a ten-month period in 1794–95. Sharaku’s prints are frank and piercing, combining satire with decorative power. His aggressive style is made all the more dramatic by his use of a dark mica background, which throws the silhouette of the posturing actor into strong relief. Depicted here is the actor Bandō Mitsugorō portraying the character Ishii Genzō at the peak dramatic moment of the play The Iris Sōga of the Bunroku Era (Hanaayame Bunroku Sōga). With a look of intense fury, Genzō draws his sword to aid his two brothers-in-law in avenging their father’s murder. The play is based on an event that occurred in 1701 that disrupted the civil order of the Tokugawa shogunate and scandalized the population of Edo. Commentary on contemporary issues was discouraged by the Japanese government, however, so the play was disguised as a literary recounting of a famous twelfth-century act of filial revenge that occurred in the Sōga family. Unlike the elite and highly stylized Noh theater, Kabuki was a popular form of drama that reflected and catered to the tastes and pleasures of the emerging merchant class.



무료 고해상도 사진 미술, 여자, 초상화, 삽화, 그림, 현대 미술, 삽화, 시각 예술, 그림, 수채화 물감, 페인트

, 촬영 알 수없는 카메라 12/18 2018 함께 찍은 사진

이미지는 Creative Commons CC0에 따라 저작권이 없습니다..

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